Discover Blogly is The FADER's curated roundup of our favorite new music discoveries.
Candelabro, Ahora o Nunca
Music that you could ostensibly brand as “indie rock” is only worthwhile when it pushes up against convention. Whether it’s hookier acts like Being Dead and Slow Pulp or more surreal ones such as yeule, bar italia, and Yves Tumor, this is music that is invested in defying any whiff of blandness. You can add Candelabro, a six-piece band from Santiago, Chile to that list. On their debut album Ahora o Nunca released this week, Candelabro have something a lot of bands don’t: enthusiasm. I was hooked by the affection for mid-’00s Canadian indie rock a la Spencer Krug and Arcade Fire demonstrated on “Refugio II” and “Dedo Chico,” which Candelabro pair with traces of classic Chilean guitar. While I would have been content for a whole album of that, Candelabro display a shocking range with their outliers alone: there’s a distended grunge track worthy of Ovlov (“Me acerca otro más”) and an aching piano ballad (“Pucha que ha costado”) as the penultimate track — you can imagine Randy Newman tapping out the keys in some lonely, long-forgotten lounge. The epic scope is smoothed over by a consistent callback to the psychedelia of the ‘60s and ‘70s (Television Personalities, Sonic Boom, etc) — closing track “Madre” sounds like the end of a significant event, and by then, Candelabro have earned that feeling. — Jordan Darville
Hi-C, L3Ft 4 D3ad
Tread music — a deep-fried descendent of cloud rap created by the Philly collective Working On Dying — has become the grammar for legions of underground rappers and producers to create their own frenzied languages. Hi-C’s sonic vernacular has earned him a cult following, and his new tape L3Ft 4 D3ad is a furnace of garishly gothic noise-rap. There’s a sense that we’ve caught Hi-C mid-exorcism on the album: it contains joyful moments like the lead single “NaNa 0 Hatch1” which deflects haters and sizes up challengers over an epileptic pinball machine beat reminiscent of Sicko Mobb, as well as exciting tracks that show tread’s growth like “VaMP N1t3Mar3” and the xaveirsobased-featuring “GupP1.” A key force in the development of HexD music — a gothic offshoot of tread with blown-out sub-bass, pitched-up vocals, and an abundance of hellish sample drops — Hi-C has moved beyond flighty, hermetic music scenes and into his own region. — Jordan Darville