Michael Hurley passed away last week at 83, leaving behind a legacy of untethered folk. Read our appreciation of his beloved album 'Armchair Boogie.'
Danish violist, producer, and singer-songwriter Astrid Sonne discusses performing the songs from her 2024 album 'Great Doubt' at a church at Big Ears 2025.
On her return to songwriting, Eiko Ishibashi provides an elusive soundtrack to the end of the world as we know it on 'Antigone.'
Big Ears 2025 takes over Knoxville, Tennssee this weekend, and the lineup is so stacked, you won't be able to see everything the festival has to offer. Here are the toughest calls we'll be making.
The new album from Lucy Liyou, Every Video Without Your Face, Every Sound Without Your Name, responds to cascading heartbreak with resilience.
An interview with Japanese artist Ichiko Aoba about studying with Anmi Yamada, diving, and the inspiration behind her album ‘Luminescent Creatures.'
An interview with Youth Lagoon, whose new album ‘Rarely Do I Dream’ looks for the truth behind childhood memories.
On ‘End of the Middle,’ English singer-songwriter Richard Dawson chooses domestic drama over the fantastical sagas of his earlier work.
For Love Week, The FADER staff curated playlists for Valentine's Day non-believers, friends, an imaginary blog-era strip club, and more.
The FADER's Listmania returns for Love Week, assembling short, silly, and informative lists about love and sex into one big package.
An interview with Mexico City rock band Diles que no me maten, who make improvisational, jazz-tinged rock in a bubbling local scene.
New York rapper MIKE’s new album ‘Showbiz’ is a tale about touring and the stark realities of life as a working artist. Read The FADER's review here.
