In this latest installment of Popping Off, Aimee Cliff examines the limits of PC Music-style parody in light of GFOTY's racist comments in her Noisey UK review of Field Day and Lotic's response.
For the latest installment of Popping Off, Aimee Cliff looks at how our ageist reaction to the Madonna-Drake kiss is rooted in our sexual objectification of female pop stars.
FKA Twigs and Björk are breaking down taboos with their reproductive representations of the female body.
When it comes to feminist issues, the music industry doesn’t always practice what it preaches.
Why do Sia’s video dancer Maddie Ziegler and viral popstar Sophia Grace make people so uncomfortable?
It’s not great!
Why do we celebrate the ability to sing to a culturally acceptable standard over driving innovation in the pop industry?
Placed in its social and historical context, the rapper’s self-love is radical.
Whether they call themselves R&B, pop or nothing at all, FKA Twigs and Beyoncé are the most powerful, innovative and feminist voices we have in music.
Parody’s role in 21st century pop culture just got turned up to 11, says Aimee Cliff.
Rihanna and Beyoncé’s hit writer is using her own project to take a feminist stand against fame.
After some ups and downs, Jennifer Lopez is primed to have a very good year.
