Autechre's N.Y.C stop on their North American tour illuminated the triumphs and absurdities of so-called “IDM.”
An interview with Mulatu Astatke on his self-covers album, Mulatu Plays Mulatu, the future of Ethio-jazz, and the links between European and African music.
Blake Mills and Pino Palladino discuss their unique collaboration and stepping into thje spotlight ahead of their new album, 'That Wasn't A Dream' out August 22.
DJ K's new album 'Radio Libertadora!' finds the Brazilian buxaria pioneer adding new urgency to his piercing sound. Read The FADER's interview here.
In this week's Apollo Frequencies, we review the full three days of Woodstockhausen East, an experimental music festival in rural New York.
On the final evening of the Nobel Laureate Assembly for the Prevention of Nuclear War, Kronos Quartet played a stirring performance that cried out for peace and disarmament.
An interview with Kate NV about 'Room for the Moon Live,' her new live album that captures the only full-band performance of her 2020 album of the same name.
James Massiah chats about his new album 'Bounty Law,' self-imposed limitations, and working with Dean Blunt in this week's Apollo Frequencies.
For The FADER's Apollo Frequencies, Raphael Helfand revisits Scott Walker's most risky and ambitious work, “SDSS1416+13B (Zercon, A Flagpole Sitter)."
Psychedelic Sangha’s Bardo Bath at Sparrow Funeral Home in Brooklyn was alternately transcendent and silly. Read The FADER's review.
In the first edition of Apollo Frequencies, Raphael Helfand reviews avant-garde ensemble Talujon's performance of Gerard Grisey's Le Noir de l'Etoile at the 2025 Long Play festival.
